White Rose Shares Experiences With Yael Farber and her Salome

here I hope this is one of several accounts we get to read about Yaël Farber’s newest production.

Thanks to Violet Dutchblogger for the link.

Side DIshes: Some More Reviews of Yaēl Faber’s Salome

here

here (DC Theater Scene) very detailed and to me, brings some similarities to The Crucible in Staging.

Again -No Surprise. The Six Best Arthur Miller Productions Includes The Old Vic’s The Crucible

here

Grazie, Micra

Side Dishes: Yaël Farber’s Salome, reviewed by The Washington Post

here

Is anyone planning to see it? I would love to know more.

Thanks to Micra for the link.

Maybe Not Herod (Salome) After All – Yaël Farber Said to Also Be Working on a Greek Play

here Micra found this link for us.

Excerpt, from a March article:

Farber is currently rehearsing for a new production of Nirbhaya and adapting Salome while working on a version of a Greek

The First ” Ask Armitage” Tweet Question – From Yael Farber

https://twitter.com/yfarber/status/583158408708288513?s=09

I wonder if ” balls to the wall” fits into the category of keeping it clean?

Yaël Farber Interview

here
Excerpt:

She had two crazy casting sessions which started as soon as she arrived, jetlagged and bleary-eyed. But that probably focused her mind. Her leading man, Richard Armitage, met with her in a dimly-lit dining room in Leeds, but, says Farber, the connection and rapport was instant. “I was given a long list of gorgeous men but wanted someone with a specific hunger, who’d make the journey with me.”

 

So, “gorgeous man” must have been her list of requirements for her Proctor, but how do you ask a casting director to present an actor who has ” a specific hunger?” I love this description.

Thanks to Micra for highlighting this.